Name of Van Gogh Art Museum in Saint Remy
Vincent van Gogh The Starry Nighttime Saint Rémy, June 1889
- MoMA, Floor v, 502 The Alfred H. Barr, Jr. Galleries
In creating this epitome of the night heaven—dominated past the bright moon at right and Venus at heart left—van Gogh heralded modern painting'due south new embrace of mood, expression, symbol, and sentiment. Inspired by the view from his window at the Saint-Paul-de-Mausole asylum in Saint-Rémy, in southern France, where the artist spent twelve months in 1889–ninety seeking reprieve from his mental illnesses, The Starry Night (fabricated in mid-June) is both an practise in observation and a articulate departure from it. The vision took place at night, even so the painting, among hundreds of artworks van Gogh made that year, was created in several sessions during the day, nether entirely dissimilar atmospheric weather. The picturesque village nestled beneath the hills was based on other views—it could not be seen from his window—and the cypress at left appears much closer than it was. And although certain features of the heaven have been reconstructed as observed, the creative person altered celestial shapes and added a sense of glow.
Van Gogh assigned an emotional language to night and nature that took them far from their actual appearances. Dominated past bright blues and yellows applied with gestural verve and immediacy, The Starry Nighttime also demonstrates how inseparable van Gogh's vision was from the new procedures of painting he had devised, in which color and pigment describe a earth outside the artwork even as they telegraph their own condition as, only, color and paint.
Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Fine art, New York (New York: The Museum of Mod Art, 2019)
Vincent van Gogh produced emotional, visually arresting paintings over the course of a career that lasted but a decade. Nature, and the people living closely to it, offset stirred his artistic inclinations and continued to inspire him throughout his short life. But rather than faithfully depicting his environs, he painted landscapes altered past his imagination. Van Gogh was seeking respite from plaguing depression at the Saint-Paul asylum in Saint-Rémy in southern France when he painted The Starry Night. It reflects his direct observations of his view of the countryside from his window likewise equally the memories and emotions this view evoked in him. The steeple of the church, for example, resembles those common in his native Netherlands, while the mountains in the background draw those in his surrounding mural.
Publication excerpt from Modernistic Art & Ideas on Coursera
- Medium
- Oil on canvas
- Dimensions
- 29 x 36 i/4" (73.7 ten 92.1 cm)
- Credit
- Acquired through the Lillie P. Bliss Bequest (by exchange). Conservation was made possible by the Depository financial institution of America Art Conservation Project
- Object number
- 472.1941
- Department
- Painting and Sculpture
We take identified these works in the following photos from our exhibition history.
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Painting, Sculpture, Prints
May 24–Oct 15, 1944
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The Museum Collection of Painting and Sculpture
Jun xx, 1945–February 13, 1946
two other works identified
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The Museum Collection of Painting and Sculpture
Jun 20, 1945–February 13, 1946
2 other works identified
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Designed for Children
Jun 11–Oct half-dozen, 1946
2 other works identified
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XXVth Ceremony Exhibition: Paintings from the Museum Collection
Oct xix, 1954–February 6, 1955
ii other works identified
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Art in a Irresolute World: 1884–1964: Painting and Sculpture from the Museum Drove
May 27, 1964
ane other work identified
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Selections from the Permanent Collection: Painting and Sculpture
May 17, 1984–Aug 4, 1992
three other works identified
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Selections from the Permanent Collection of Painting and Sculpture
Jul one, 1993
2 other works identified
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MoMA2000, ModernStarts, Places: French Landscape, The Modernist Vision, 1880-1920
October 28, 1999–Mar 14, 2000
1 other work identified
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Collection Highlights
May 8–10, 2002
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To Be Looked At: Painting and Sculpture from the Collection
Jul iii, 2002–Sep 6, 2004
2 other works identified
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To Be Looked At: Painting and Sculpture from the Collection
Jul 3, 2002–Sep 6, 2004
6 other works identified
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Painting &
Sculpture Ii Nov 20, 2004–Aug 5, 2015
3 other works identified
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Van Gogh and the Colors of the Nighttime
Sep 21, 2008–Jan 5, 2009
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Van Gogh and the Colors of the Night
Sep 21, 2008–January 5, 2009
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501: 19th-Century Innovators
Autumn 2019–Fall 2021
eleven other works identified
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501: 19th-Century Innovators
Fall 2019–Autumn 2021
x other works identified
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517: Surrealist Objects
Ongoing
6 other works identified
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517: Surrealist Objects
Ongoing
4 other works identified
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501: 19th-Century Innovators
Autumn 2019–Fall 2021
one other piece of work identified
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502: Lillie P. Elation
Ongoing
2 other works identified
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502: Lillie P. Elation
Ongoing
4 other works identified
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502: Lillie P. Elation
Ongoing
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using motorcar learning to identify artworks in installation photos. That projection has concluded, and works are now being identified by MoMA staff.
If you detect an mistake, delight contact u.s. at [email protected].
This work is included in the Provenance Research Project, which investigates the buying history of works in MoMA's drove.
June - September 1889, Vincent van Gogh, Saint-Rémy-de-Provence.
September 1889 - January 1891, Theo van Gogh (1857-1891), Paris, acquired from his brother Vincent van Gogh.
January 1891 - December 1900, Johanna (Jo) van Gogh-Bonger, Amsterdam, in trust for her son, Vincent Willem van Gogh, Amsterdam, inherited from Theo van Gogh.
December 1900 - February 1901, Julien Leclercq, Paris, purchased through Jo van Gogh-Bonger.
February 1901 - before July 1905, Claude-Emile Schuffenecker, Paris, acquired by exchange from Julien Leclercq.
By July 1905 - March 1906, Jo van Gogh-Bonger, Amsterdam, reacquired from Claude-Emile Schuffenecker.
[Oldenzeel Gallery, Rotterdam]
1906 - 1938, Georgette P. van Stolk (1867-1963), Rotterdam, purchased from/through Oldenzeel Gallery.
1938 - 1941, Paul Rosenberg Gallery, New York, purchased from Georgette P. van Stolk through Jacob-Baart de la Faille.
1941, The Museum of Modern Art, New York, acquired by substitution from Paul Rosenberg Gallery.
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Source: https://www.moma.org/collection/works/79802
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